Viewing Period:
Run Time:
1 Hour, 39 Minutes
Starring:
Director:
Released in:
2004
Synopsis:
Thanks to falsified dental records, retired hitman Jimmy "The Tulip" Tudeski (BRUCE WILLIS) faked his own death and has taken up a new line of work as a homemaker for his wife Jill (AMANDA PEET), a novice assassin who has yet to pull off a clean hit. Suddenly, an uninvited and unwelcome connection to their past appears. It's their former neighbor Oz (MATTHEW PERRY) who begs them to help rescue his wife from the Hungarian mob. The mission mounts into Mafioso mayhem, in this screwball sequel to the 2000 hit comedy THE WHOLE NINE YARDS."Bruce Willis and Matthew Perry are the new odd couple. Genuinely hilarious." - Liam Mayclem / KRON-TV"More action. More laughs." - Fred Topel / About.com"A classic caper movie!" - JD Cargill / KTLA-TV (WB)
Copyright:
(c) 2004 MHF Zweite Academy Film GmbH and Co. KG and Warner Bros. Entertainment Inc.
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CRITIC REVIEWS
Lew Irwin
On ABC's Good Morning America this morning, critic Joel Siegel pondered why anyone would want to make a sequel to a bad movie. Actually, he remarked: As a sequel it works. The Whole 9 Yards was a bad movie. The Whole Ten Yards is worse. Similarly, Ann Hornaday remarks in the Washington Post that the movie may be the most un-asked-for sequel in movie history. The New York Post's Jonathan Foreman, who found the original to be enjoyable, calls the sequel a labor of greed that reeks of contempt for the audience. Jami Bernard in the New York Daily News calls it a time waster. Peter Howell in the Toronto Star dismisses it as astoundingly limp, while Steven Rea in the Philadelphia Inquirer brands it artificial to the hilt, fueled on a kind of trying-too-hard hilarity that makes even good actors look bad. Or as Philip Wuntch puts it in the Dallas Morning News: The Whole Ten Yards is an exercise in humiliation for all concerned.
Lew Irwin
On ABC's Good Morning America this morning, critic Joel Siegel pondered why anyone would want to make a sequel to a bad movie. Actually, he remarked: As a sequel it works. The Whole 9 Yards was a bad movie. The Whole Ten Yards is worse. Similarly, Ann Hornaday remarks in the Washington Post that the movie may be the most un-asked-for sequel in movie history. The New York Post's Jonathan Foreman, who found the original to be enjoyable, calls the sequel a labor of greed that reeks of contempt for the audience. Jami Bernard in the New York Daily News calls it a time waster. Peter Howell in the Toronto Star dismisses it as astoundingly limp, while Steven Rea in the Philadelphia Inquirer brands it artificial to the hilt, fueled on a kind of trying-too-hard hilarity that makes even good actors look bad. Or as Philip Wuntch puts it in the Dallas Morning News: The Whole Ten Yards is an exercise in humiliation for all concerned.
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The Whole Ten Yards
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Screen Format: Color
Language: English