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Synopsis:
From Academy Award(R)-winning director Brad Bird (The Incredibles) and the amazing storytellers at Pixar Animation Studios comes RATATOUILLE, the original comedy about one of the most unlikely friendships imaginable. The film's protagonist is a rat named Remy (Patton Oswalt) who dares to dream the impossible dream of becoming a gourmet chef in a five-star French restaurant. Undeterred by the obvious problem of trying to make it in the world's most rodent-phobic profession, not to mention his family's urgings to be satisfied with the usual trash-heap lifestyle, Remy's fantasies are filled with flambes and sautes. When circumstances literally drop Remy into the Parisian restaurant made famous by his culinary hero, Auguste Gusteau (Brad Garrett), Remy finds the one thing he needs, a friend to believe in him: the restaurant's shy, outcast garbage boy named Linguini (Lou Romano). Remy and Linguini form the most improbable partnership that will turn Paris upside down, leading them both on an incredible journey of comical twists, emotional turns and the most unlikely of triumphs, which they could never have imagined without each other. RATATOUILLE brings to life a wide-ranging roster of memorable characters with a voice cast that includes Patton Oswalt, Brian Dennehy, Brad Garrett, Janeane Garofalo, Ian Holm and Peter O'Toole.
MORE INFORMATION
Screen Format: Color
Language: English
CRITIC REVIEWS
Lew Irwin

Much has been written about the difficulties Disney's marketing executives have had in getting a handle on how to sell Brad Bird's Ratatouille, given its difficult title, adult story line, French setting, etc. But film critics are suggesting that the movie sells itself -- even while they themselves are doing their best to persuade moviegoers to see it. "You should probably just take my word that this one is unmissable," advises Lou Lumenick in the New York Post. In the Wall Street Journal, Joe Morgenstern asks, "Is the world ready for a movie that sees an upwardly mobile rodent in a kitchen as a cause for celebration, rather than extermination? Once you've met the clean little rat in question, and registered the high preposterousness of the premise -- not to mention the elegance of the execution -- the answer is yes." Bird and his fellow animators, writes Kenneth Turan in the Los Angeles Times, have "made Ratatouille so imaginative, good spirited and funny that it not only blurs the line between reality and fantasy, it manages to blur it between species as well." And between age groups, too, Michael Phillips suggests in the Chicago Tribune. "Ratatouille may be rated G, but its sense of humor is more sly, more sophisticated and more interesting than most PG-13 or R-rated comedies at the moment," he writes. Several critics seize about the metaphor of food to describe the movie. "It blends a savory stew of ingredients that, when whisked together, create a wondrously tasty and visually stunning dish," writes Claudia Puig in USA Today. Says Michael Sragow in the Baltimore Sun: "Ratatouille is a sublime dish of a movie, and the company's piece de resistance." And A.O. Scott in the New York Times has probably never written a more sterling review for a movie than this one for Ratatouille, which he calls "a nearly flawless piece of popular art, as well as one of the most persu

Reviewed by: VanessaRaney on 12/30/2007 8:53:01 AM
This is a great movie! Unlike some critics, however, we shouldn't be viewing "Ratatouille" as a literal story about the relationship between a guy and a rat. Rather, it's a fictional story that has its most basic premise the subtext of identity; it asks us to consider what we do with what we're given. Moreover, "Ratatoille" requires us to takes leaps: How, for example, does a rat - when there's evidence in the movie that the rats mimicry the sounds of real rats - not only read English, but understand it? Let's not even talk about what could be potentially a schizophrenic character. It's too fun to disengage! :) Vanessa Raney
Lew Irwin

Much has been written about the difficulties Disney's marketing executives have had in getting a handle on how to sell Brad Bird's Ratatouille, given its difficult title, adult story line, French setting, etc. But film critics are suggesting that the movie sells itself -- even while they themselves are doing their best to persuade moviegoers to see it. "You should probably just take my word that this one is unmissable," advises Lou Lumenick in the New York Post. In the Wall Street Journal, Joe Morgenstern asks, "Is the world ready for a movie that sees an upwardly mobile rodent in a kitchen as a cause for celebration, rather than extermination? Once you've met the clean little rat in question, and registered the high preposterousness of the premise -- not to mention the elegance of the execution -- the answer is yes." Bird and his fellow animators, writes Kenneth Turan in the Los Angeles Times, have "made Ratatouille so imaginative, good spirited and funny that it not only blurs the line between reality and fantasy, it manages to blur it between species as well." And between age groups, too, Michael Phillips suggests in the Chicago Tribune. "Ratatouille may be rated G, but its sense of humor is more sly, more sophisticated and more interesting than most PG-13 or R-rated comedies at the moment," he writes. Several critics seize about the metaphor of food to describe the movie. "It blends a savory stew of ingredients that, when whisked together, create a wondrously tasty and visually stunning dish," writes Claudia Puig in USA Today. Says Michael Sragow in the Baltimore Sun: "Ratatouille is a sublime dish of a movie, and the company's piece de resistance." And A.O. Scott in the New York Times has probably never written a more sterling review for a movie than this one for Ratatouille, which he calls "a nearly flawless piece of popular art, as well as one of the most persuasive portraits of an artist ever committed to film. It provides the kind of deep, transporting pleasure, at once simple and sophisticated, that movies at their best have always promised."
Reviewed by: VanessaRaney on 12/30/2007 8:53:01 AM
This is a great movie! Unlike some critics, however, we shouldn't be viewing "Ratatouille" as a literal story about the relationship between a guy and a rat. Rather, it's a fictional story that has its most basic premise the subtext of identity; it asks us to consider what we do with what we're given. Moreover, "Ratatoille" requires us to takes leaps: How, for example, does a rat - when there's evidence in the movie that the rats mimicry the sounds of real rats - not only read English, but understand it? Let's not even talk about what could be potentially a schizophrenic character. It's too fun to disengage! :) Vanessa Raney
Ratatouille has 15 user ratings.
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Reviewed by: VanessaRaney on 12/30/2007 8:53:01 AM
This is a great movie! Unlike some critics, however, we shouldn't be viewing "Ratatouille" as a literal story about the relationship between a guy and a rat. Rather, it's a fictional story that has its most basic premise the subtext of identity; it asks us to consider what we do with what we're given. Moreover, "Ratatoille" requires us to takes leaps: How, for example, does a rat - when there's evidence in the movie that the rats mimicry the sounds of real rats - not only read English, but understand it? Let's not even talk about what could be potentially a schizophrenic character. It's too fun to disengage! :) Vanessa Raney
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