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Synopsis:
On the eve of Cuba's revolution, a young American woman discovers a passion for dance and for her sultry Cuban partner, Javier. As the two prepare to take their place in a prestigious national dance competition, their bodies align in a sensual harmony that mirrors the growing bond between them. They dominate the dance floor with a sizzling style and rhythm all their own."Sexy, sultry and romantic! The dancing and music are captivating!" - Fred Saxon, XETV-TV, FOX - San Diego"Hot moves! Hot music! The best of the recent batch of dance movies." - Shawn Edwards, WDAF-TV, FOX - Kansas City
MORE INFORMATION
Screen Format: Color
Language: English
CRITIC REVIEWS
Lew Irwin

Mel Gibson's The Passion of the Christ would appear to facing little significant competition this weekend from new wide releases, all of which have been generally pummeled by the critics. Roger Ebert gives Dirty Dancing: Havana Nights two stars (he gave the original only one), implying that he was being generous because of the pretty pictures on the screen. Elvis Mitchell in the New York Times is not nearly so charitable. This reimagining of the recklessly melodramatic 1987 original is packed with flashy, taffeta silliness and a desperation for a sweaty PG-13 sexiness so laughable that the cast deserves Oscar nominations for getting through the picture without cracking up, he writes. To Eleanor Ringel Gillespie in the Atlanta Journal-Constitution even the term reimagining is off-base. Dirty Dancing: Havana Nights has so little to do with the 1987 hit Dirty Dancing, she writes, that they could've just as well called it The Matrix: Havana Nights. To Peter Howell in the Toronto Star, the movie is charmless, clumsy and culturally offensive all at the same time. But Kevin Thomas writes his usual antipodal review in the Los Angeles Times, referring to the film as original and engaging. The attractive leads ... the steamy sensuality of their dancing, the splendid period costumes and settings will appeal specially to women of several generations, he concludes.

Lew Irwin

Mel Gibson's The Passion of the Christ would appear to facing little significant competition this weekend from new wide releases, all of which have been generally pummeled by the critics. Roger Ebert gives Dirty Dancing: Havana Nights two stars (he gave the original only one), implying that he was being generous because of the pretty pictures on the screen. Elvis Mitchell in the New York Times is not nearly so charitable. This reimagining of the recklessly melodramatic 1987 original is packed with flashy, taffeta silliness and a desperation for a sweaty PG-13 sexiness so laughable that the cast deserves Oscar nominations for getting through the picture without cracking up, he writes. To Eleanor Ringel Gillespie in the Atlanta Journal-Constitution even the term reimagining is off-base. Dirty Dancing: Havana Nights has so little to do with the 1987 hit Dirty Dancing, she writes, that they could've just as well called it The Matrix: Havana Nights. To Peter Howell in the Toronto Star, the movie is charmless, clumsy and culturally offensive all at the same time. But Kevin Thomas writes his usual antipodal review in the Los Angeles Times, referring to the film as original and engaging. The attractive leads ... the steamy sensuality of their dancing, the splendid period costumes and settings will appeal specially to women of several generations, he concludes.
Dirty Dancing: Havana Nights has 9 user ratings.
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Dirty Dancing: Havana Nights
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