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Synopsis:
Belle Williams (QUEEN LATIFAH) is a speed demon. Flying through the streets of New York in her tricked-out taxi, she's earned a rep as New York's fastest cabbie. Driving a hack is only a pit stop for her real dream: Belle wants to be a race car champion. She's well on her way until she's derailed by overeager cop Andy Washburn (JIMMY FALLON), whose undercover skills are matched only by his total ineptitude behind the wheel.Washburn, whose lack of vehicular skills has landed him in the precinct doghouse, is hot on the heels of a gang of beautiful Brazilian bank robbers, led by Vanessa (GISELE BUNDCHEN), their cold, calculating and leggy leader. To nab the evasive crooks, drivers-license-less Washburn convinces Belle to team up with him to pursue Vanessa and crew. Belle has carte blanche to drive at any speed and break any law. The car-less cop and speed-demon cabbie New York's unlikeliest partners begin a high-speed game of cat-and-mouse with the robbers. Academy Award nominee QUEEN LATIFAH (Chicago) and Saturday Night Live's JIMMY FALLON'S (in his first major feature film role) team up in the buddy comedy TAXI. The film is based on the 1998 international smash Taxi, written and directed by Luc Besson, which became the largest grossing film in the history of French cinema and has since spawned two sequels.
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Screen Format: Color
CRITIC REVIEWS
Lew Irwin

Taxi doesn't fare well at all in the hands of the critics. Dave Kehr in the New York Times describes it as a bland, half-finished film that seems to have been conceived as off-peak cable fodder. Calling the movie dismal, Roger Ebert in the Chicago Sun-Times writes that appears to be made without ambition, imagination, or purpose. Bob Townsend in the Atlanta Journal-Constitution suggests that a line in the dialogue sums up the movie: Crazy and stupid is my style. Saturday Night Live's Jimmy Fallon, making his first appearance in a movie, is being ragged by critics. Peter Howell in the Toronto Star comments: By inadvertently living up to his SNL billing as one of the Not Ready For Prime Time players, Fallon demonstrates in his first lead movie role just how difficult it is to play an idiot. Tom Maurstad in the Dallas Morning News is even harsher: Jimmy Fallon wastes little time showing that when it comes to the big screen, he's strictly small screen, he writes. Michael O'Sullivan in the Washington Post observes that Fallon is funniest in the outtakes shown behind the closing credits of the movie. It's a shame that the movie, couldn't capture that sense of joyous, on-the-fly wisecracking, he writes. Queen Latifah, who co-stars in the movie, receives mostly sympathetic comments from the critics. Jan Stuart in Newsday writes: Queen Latifah is a persuasive screen presence, to be sure, but nothing in her bag of brassy tricks can persuade freshness and spontaneity out of a jerry-built comedy such as this.

Lew Irwin

Taxi doesn't fare well at all in the hands of the critics. Dave Kehr in the New York Times describes it as a bland, half-finished film that seems to have been conceived as off-peak cable fodder. Calling the movie dismal, Roger Ebert in the Chicago Sun-Times writes that appears to be made without ambition, imagination, or purpose. Bob Townsend in the Atlanta Journal-Constitution suggests that a line in the dialogue sums up the movie: Crazy and stupid is my style. Saturday Night Live's Jimmy Fallon, making his first appearance in a movie, is being ragged by critics. Peter Howell in the Toronto Star comments: By inadvertently living up to his SNL billing as one of the Not Ready For Prime Time players, Fallon demonstrates in his first lead movie role just how difficult it is to play an idiot. Tom Maurstad in the Dallas Morning News is even harsher: Jimmy Fallon wastes little time showing that when it comes to the big screen, he's strictly small screen, he writes. Michael O'Sullivan in the Washington Post observes that Fallon is funniest in the outtakes shown behind the closing credits of the movie. It's a shame that the movie, couldn't capture that sense of joyous, on-the-fly wisecracking, he writes. Queen Latifah, who co-stars in the movie, receives mostly sympathetic comments from the critics. Jan Stuart in Newsday writes: Queen Latifah is a persuasive screen presence, to be sure, but nothing in her bag of brassy tricks can persuade freshness and spontaneity out of a jerry-built comedy such as this.
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Taxi
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