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Moliere (2007)

Moliere
PG13


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Average Customer Rating: RATED 4 STARS
Director: Laurent Tirard
Starring: Romain Duris, Fabrice Luchini, Laura Morante, Edouard Baer, Ludivine Sagnier
Producer: Olivier Delbosc, Marc Missonnier

Run Time: 02:01:00

Copyright: © 2007 Fidelite Films, Virtual Films, Wild Bunch, France 3 Cinema and France 2 Cinema. All Rights Reserved.

Rated PG13

Synopsis:
Bubbling with wit, stellar performances and lavish cinematography, MOLIÈRE stars multi-Cesar®-nominated French actor Romain Duris as Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain (Cesar®-winner Fabrice Luchini) offers to cover that debt (so that Molière¿s theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues. Disguised as a priest, Molière becomes a guest in Jourdain¿s palace on the pretext of teaching Jourdain the craft of the stage, which annoys his wife, Elmire. But, soon after, the confrontation between Elmire and Molière turns seductive. Too busy to notice, Jourdain enlists the aid of a well connected and scheming acquaintance, to help him pursue the young widow. Romantic yearning, human foibles and laughs galore all characterize MOLIÈRE, a delightful film that slyly captures your heart.

MORE INFORMATION

Screen Format: Color
Language: English



CRITIC REVIEWS
Lew Irwin
RATED 3 STARS


Opening in limited release, Molire , Kyle Smith suggests in the New York Post, is probably directed at literary snobs who profess to be familiar with the work of the French dramatist. "Very little of [the plot] is funny in 2007," he writes, "but you chuckle to show that you're sophisticated enough to understand that it was funny 300 years ago, or to indicate recognition of the name Tartuffe." Jan Stuart in Newsday puts it this way: "Molire is the sort of slightly naughty but literate frolic that congratulates the audience for its good taste; in other words, it's a bit of a snooze." Virtually every critic compares it to Shakespeare in Love, with Michael Phillips in the Chicago Tribune in particular noting that such comparisons are inevitable. "Molire," he writes, "is comparatively even-toned and less antic. It's also duller." "This handsome French production obviously bears similarities to Shakespeare in Love, but it is not as thoroughly successful," says Bob Strauss in the Los Angeles Daily News. A.O. Scott in the New York Times applauds several of the supporting actors for occasionally bringing the movie to life. "Like any French actor with stage experience," he observes,"they have no doubt been thoroughly schooled in Molire. They could play these parts in their sleep. Or, as may be the case with Molire, in yours." But Elizabeth Weitzman in the New York Daily News gives the actors far greater credit, writing that they "elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molire's plays before. Although if you haven't, you'll certainly want to now."





Lew Irwin

RATED 3 STARS

Opening in limited release, Molire , Kyle Smith suggests in the New York Post, is probably directed at literary snobs who profess to be familiar with the work of the French dramatist. "Very little of [the plot] is funny in 2007," he writes, "but you chuckle to show that you're sophisticated enough to understand that it was funny 300 years ago, or to indicate recognition of the name Tartuffe." Jan Stuart in Newsday puts it this way: "Molire is the sort of slightly naughty but literate frolic that congratulates the audience for its good taste; in other words, it's a bit of a snooze." Virtually every critic compares it to Shakespeare in Love, with Michael Phillips in the Chicago Tribune in particular noting that such comparisons are inevitable. "Molire," he writes, "is comparatively even-toned and less antic. It's also duller." "This handsome French production obviously bears similarities to Shakespeare in Love, but it is not as thoroughly successful," says Bob Strauss in the Los Angeles Daily News. A.O. Scott in the New York Times applauds several of the supporting actors for occasionally bringing the movie to life. "Like any French actor with stage experience," he observes,"they have no doubt been thoroughly schooled in Molire. They could play these parts in their sleep. Or, as may be the case with Molire, in yours." But Elizabeth Weitzman in the New York Daily News gives the actors far greater credit, writing that they "elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molire's plays before. Although if you haven't, you'll certainly want to now."





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